Well, as far as weather is concerned, I guess seasons are a little confused in these parts this year. It is almost November 30, and although the furnace is running as I write, it isn't having to work all that hard. Temperatures are into the 50s still. Colder weather is predicted, but not that much colder.
I'm not complaining.
The holiday season should arrive on time regardless of weather, though. With that in mind, I have added a complete list of all inventory currently available from Lowell Hill Pottery. Check out the Lowell Hill Pottery Inventory Page. Most items currently available are in the less expensive range too. Simplified gift giving is but a click away!
Stay warm and safe. More later on.
Tuesday, November 29, 2011
Thursday, November 24, 2011
'Tis the Season
It's Thanksgiving Day and I'm doing just what I promised myself I would do. I'm kicking back, relaxing and snuggling with my cat. I have been putting DVDs into the player one after another and generally taking it easy for the day.
I think I deserve it. This past season was quite an experience. Business picked up somewhat stronger than I anticipated - which is a good thing. I'm ahead of where I thought I'd be, but to put that into perspective, I didn't think I'd do a whole lot. This is only year two of a start-up after all. But it's encouraging to know that Rowantrees customers are finding me.
We have finally seen snow of a rather serious nature and the temperatures, while still very mild for this time of the year, have started to act less predictably and have dipped into the 20s on occasion. So I had the pipes drained out and figured I would stop production for the winter. Then I got an order. And then another one. And yet a third.
So back in I went - carrying water in buckets so that I could glaze. I didn't mind at all even though it really was getting cold. But now that those orders are finished and on their way, I really do have to call it for this winter. My hands really suffered from working in water under the cold conditions.
I do have a good deal of pottery available and will be putting up an inventory list on the web site over the weekend. This will show exactly what I have right now and in what colors in case anyone wishes to place an order. I can certainly go in, pack something and then send it out. Believe me, it's no problem. I just can't throw or glaze anything until the weather warms up again.
I fired an entire kiln of Ducks Head and Moss Agate this week. Remember what I said about having to learn about Ducks Head (or any glaze for that matter) once it is formulated? Well... I have pretty well mastered the Ducks Head and Turquoise combination. Combining Ducks Head with Moss Agate is another matter entirely. I got what I needed to get out of the kiln, and those pieces look lovely. But a lot of the rest of it will be found on the "Irregulars" shelf next summer. Once the weather warms up again, the tweaking and learning will begin. That's how it goes.
For the coming months, I will be working again on the tile project. I had to suspend work on that to build my stock at the pottery. I started from nothing on that this year once I decided that I could not use the old Rowantrees bisque stock. The labor to replace all of that pottery was pretty intense but that was where the demand was.
Now I can shift gears and work at home. I purchased a small wheel and am putting a bench together for that. The tile press is being liberated from a summer's worth of junk mail and assorted tools, and the extruder will come home again this season so that I can make more napkin rings.
It all sounds like a plan.
I think I deserve it. This past season was quite an experience. Business picked up somewhat stronger than I anticipated - which is a good thing. I'm ahead of where I thought I'd be, but to put that into perspective, I didn't think I'd do a whole lot. This is only year two of a start-up after all. But it's encouraging to know that Rowantrees customers are finding me.
We have finally seen snow of a rather serious nature and the temperatures, while still very mild for this time of the year, have started to act less predictably and have dipped into the 20s on occasion. So I had the pipes drained out and figured I would stop production for the winter. Then I got an order. And then another one. And yet a third.
So back in I went - carrying water in buckets so that I could glaze. I didn't mind at all even though it really was getting cold. But now that those orders are finished and on their way, I really do have to call it for this winter. My hands really suffered from working in water under the cold conditions.
I do have a good deal of pottery available and will be putting up an inventory list on the web site over the weekend. This will show exactly what I have right now and in what colors in case anyone wishes to place an order. I can certainly go in, pack something and then send it out. Believe me, it's no problem. I just can't throw or glaze anything until the weather warms up again.
I fired an entire kiln of Ducks Head and Moss Agate this week. Remember what I said about having to learn about Ducks Head (or any glaze for that matter) once it is formulated? Well... I have pretty well mastered the Ducks Head and Turquoise combination. Combining Ducks Head with Moss Agate is another matter entirely. I got what I needed to get out of the kiln, and those pieces look lovely. But a lot of the rest of it will be found on the "Irregulars" shelf next summer. Once the weather warms up again, the tweaking and learning will begin. That's how it goes.
For the coming months, I will be working again on the tile project. I had to suspend work on that to build my stock at the pottery. I started from nothing on that this year once I decided that I could not use the old Rowantrees bisque stock. The labor to replace all of that pottery was pretty intense but that was where the demand was.
Now I can shift gears and work at home. I purchased a small wheel and am putting a bench together for that. The tile press is being liberated from a summer's worth of junk mail and assorted tools, and the extruder will come home again this season so that I can make more napkin rings.
It all sounds like a plan.
Sunday, October 30, 2011
The Return of Ducks Head
I have been waiting a long time to make this announcement...and so have many of you. Ducks Head Black is finally back. It has taken a lot longer than I thought it would to reformulate this incredible combination of black, silver, green, blue and iridescence. First it was too black, then it was too green, then it was too iridescent. If I got all of these qualities in balance, the glaze wouldn't suspend well or wouldn't apply well or wouldn't form a solid coating when raw. Potters don't judge a glaze solely on its fired appearance and that can make the road a long one indeed.
And it's premature to suggest that I have reached th end of that road on this one. in fact, every glaze I have formulated will be in the "tweaking" stage for a long time to come. That is no less true of Ducks Head. In addition, this particular glaze is very finicky with regard to application. Like Heather Blue, there is a fine line between too thin and too thick. Experience and practice will take care of that.
Of course, the cruel irony in that is the fact that the cold weather is rapidly approaching. As I write this, we are having our first snow storm. Check out the date on this post. We do expect things to get better for the next week or so, but I'm getting the hint. It will be time to shut down the studio and drain the water pipes very soon. To compensate, I'm doing as much glazing in Ducks Head and Ducks Head & Turquoise as I can so that I can have at least a modest stock of items. I'll be focusing on mugs and other small items.
When I do close the studio for the season, I'll be posting a complete inventory list on the web site so that people cans ee what is available in the off season. In addition, I'll be working in my home studio producing some items as well.
It's time to go back to the tile project now.
Coming up: Building a new studio in 2012...?
And it's premature to suggest that I have reached th end of that road on this one. in fact, every glaze I have formulated will be in the "tweaking" stage for a long time to come. That is no less true of Ducks Head. In addition, this particular glaze is very finicky with regard to application. Like Heather Blue, there is a fine line between too thin and too thick. Experience and practice will take care of that.
Of course, the cruel irony in that is the fact that the cold weather is rapidly approaching. As I write this, we are having our first snow storm. Check out the date on this post. We do expect things to get better for the next week or so, but I'm getting the hint. It will be time to shut down the studio and drain the water pipes very soon. To compensate, I'm doing as much glazing in Ducks Head and Ducks Head & Turquoise as I can so that I can have at least a modest stock of items. I'll be focusing on mugs and other small items.
When I do close the studio for the season, I'll be posting a complete inventory list on the web site so that people cans ee what is available in the off season. In addition, I'll be working in my home studio producing some items as well.
It's time to go back to the tile project now.
Coming up: Building a new studio in 2012...?
Saturday, October 29, 2011
In Time for the Holidays!
The Web outage didn't last long, but someone did have to push a Big Red Button to get things squared away. Honestly, software that likes to add irrelevant bits and pieces without consulting me just boggles my mind.
But enough of technical woes. The web site is functioning just fine now thanks to the folks at DailyRazor.com.
I'm very pleased to announce that the Cutout Candle Holder is available just in time for the Holiday season. I have made a limited run of these popular candle holders in the new Evergreen glaze and they are expected to sell quickly.
The Cutout Candle Holder was originally created by Sheila Varnum at Rowantrees as a means of salvaging pint pitchers that had not survived the trimming process. Occasionally the spout would split making the pitcher impossible to complete. If that happened, Sheila would cut the top portion of the pitcher off and cut designs out of the side. The evergreen tree design was the most popular and gives off the most light even from a small candle.
As with all my products, these holders are made one at a time by hand. The tree images are cut out freehand. Each piece is unique and the new Evergreen glaze is eye-popping.
This edition is available in the Evergreen glaze only. If you are interested, they are $35 each or a pair for $60. You can order them on the Lowell Hill Pottery web site.
Next item up for discussion: Announcing the new Ducks Head glaze!
Thursday, October 20, 2011
The Web Site is Down...Temporarily
And only temporarily. Technical glitches happen just like...that other thing that happens now and then. This morning, I discovered that my web site turned into an "INTERNAL SERVER ERROR" some time during the night. A support ticket has been generated and I expect the problem will be corrected pretty quickly. The hosting service I use is generally very responsive to these issues.
My apologies if this problem is inconveniencing you. The email address is working, so you can contact me at office@lowellhillpottery.com if you need anything.
Of course, things like this choose the worst possible times to happen. I am just about to announce that Ducks Head Black is FINALLY back! I will detail that one in the next post along with an announcement of a holiday special.
Then there is the matter of my Established Customer discount program. I'm putting the final touches on that one and will announce it in the next week or so. So keep an eye on this blog. Things are in motion!
My apologies if this problem is inconveniencing you. The email address is working, so you can contact me at office@lowellhillpottery.com if you need anything.
Of course, things like this choose the worst possible times to happen. I am just about to announce that Ducks Head Black is FINALLY back! I will detail that one in the next post along with an announcement of a holiday special.
Then there is the matter of my Established Customer discount program. I'm putting the final touches on that one and will announce it in the next week or so. So keep an eye on this blog. Things are in motion!
Sunday, September 25, 2011
Closing in on Duckshead
The saga continues. Duckshead remains elusive, but a battery of tests has provided about the best leads to date. I started with the Moss Agate formula as a base. It is the glossiest, glassiest of the glazes and flows nicely. This is particularly important because it has to flow well when combined with the Turquoise glaze to make the most popular pattern of Duckshead and Turquoise. The Turquoise has been undergoing some of its own improvements over the summer as well so that it can be more glassy. So far so good.
The next step in finding a Duckshead has been to figure out what combination of metallic oxides will create black with the silver sheen that characterizes this unique glaze. Black is not at all difficult to get all by itself. I have created several of them int he last few months. But that metallic sheen is another story. It's subtle, providing a silvery look while remaining shiny. Many black metallic glazes tend to take on a "gun metal" appearance. That's pretty in itself, but the dull surface can often mean that the glaze is soft and will easily leach some of the oxides that give it its color. Leaching may not be dangerous, but the pottery will lose its luster and shine quickly.
And some of those oxides can, in fact, be dangerous if too much leaches.
So the secret is to get enough to do the job without overloading. That is what has been taking so long. The base glaze is now in place, and the process of coloring has begun. Recently, I created to triaxial blend sets - one composed of iron, copper and cobalt oxide and the other of manganese, copper and cobalt. These were blended in a series of combinations and the results were studies by both me and Sheila Varnum.
Here is a picture of the iron-based triaxial series
And here is the manganese series
They all look pretty similar in these photos, but believe me, there are marked differences. In the end, we chose one from the second series. It is the second from the left in the first row. This one has a beautiful metallic sheen and, with some adjustments to the other oxides, should make a beautiful Duckshead.
Of course, I've said stuff like this before. There are other issues to consider. The glaze must not only look nice in a dip test. It has to suspend well in water and apply well. Application has been the downfall of several attempts over the summer, but I have great hope for this one given that its base formula is already well tested. Earlier tests of a similar Duckshead test were very nice. Just not quite the color we wanted.
The test will be in the fire this week. If it looks good and passes the various tests for durability, you will find it out here.
And I will be VERY busy glazing until the snow falls.
The next step in finding a Duckshead has been to figure out what combination of metallic oxides will create black with the silver sheen that characterizes this unique glaze. Black is not at all difficult to get all by itself. I have created several of them int he last few months. But that metallic sheen is another story. It's subtle, providing a silvery look while remaining shiny. Many black metallic glazes tend to take on a "gun metal" appearance. That's pretty in itself, but the dull surface can often mean that the glaze is soft and will easily leach some of the oxides that give it its color. Leaching may not be dangerous, but the pottery will lose its luster and shine quickly.
And some of those oxides can, in fact, be dangerous if too much leaches.
So the secret is to get enough to do the job without overloading. That is what has been taking so long. The base glaze is now in place, and the process of coloring has begun. Recently, I created to triaxial blend sets - one composed of iron, copper and cobalt oxide and the other of manganese, copper and cobalt. These were blended in a series of combinations and the results were studies by both me and Sheila Varnum.
Here is a picture of the iron-based triaxial series
And here is the manganese series
They all look pretty similar in these photos, but believe me, there are marked differences. In the end, we chose one from the second series. It is the second from the left in the first row. This one has a beautiful metallic sheen and, with some adjustments to the other oxides, should make a beautiful Duckshead.
Of course, I've said stuff like this before. There are other issues to consider. The glaze must not only look nice in a dip test. It has to suspend well in water and apply well. Application has been the downfall of several attempts over the summer, but I have great hope for this one given that its base formula is already well tested. Earlier tests of a similar Duckshead test were very nice. Just not quite the color we wanted.
The test will be in the fire this week. If it looks good and passes the various tests for durability, you will find it out here.
And I will be VERY busy glazing until the snow falls.
Thursday, September 1, 2011
Fair Update
Here is a photo of my display at the Blue Hill Fair. Turquoise is the color for this year as it has proven very popular at the shop. I still dream of a display announcing the return of Duckshead. A new round of tests is underway and I expect great things. But for now, have a look and enjoy.
More on the Fair later!
More on the Fair later!
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